Tune-Yards: Looping around with surrounding sounds
Thumbnail courtesy of Wikimedia Commons
Tune-Yards is creating the most interesting sound of our time through the utilization of looping pedals.
Tune-Yards, an American musical group that started in 2006, produces some of the most unique sounds you will ever hear. Merill Garbus, the percussionist and mastermind behind the group, and Nate Brenner, the bassist and ukuleleist, combine their talents to create a sound of wonderful, cathartic chaos. If you have been following me on The Lamron, you will know my specialty is shedding light on underrated music—and this week is no different. Read along as I attempt to explain (because, let’s be real, sometimes words do no justice to the complexities of music) what makes this band so special.
One of the band’s core sound design choices must be highlighted is looping pedals: Machines that allow sounds to be layered and harmonized upon themselves. It creates a rich and atmospheric feel. My favorite example of the looping effect is showcased in their song, “Powa,” and the secret behind this song’s creation process was shared by Merrill Garbus herself. Garbus describes that two looping pedals were used when making the song—one for looping the drums and the other for vocals. While the two are layered, she plays her ukulele and begins to sing to insert the melody. This last part is looped on with everything else, creating the final layer of wonderful chaos.
Another aspect of Tune-yards that aids its one-of-a-kind sound is the instruments. While incorporating looping pedals is awesome, the looped instruments (synth, brass, and vocals) contribute to a hectic rhythm that shows a world of imagination. For example, their song “My Country” starts with simplistic drums and vocals that progress into many percussion segments and vocals, all different and unique. This technique creates a sense of organized-scatteredness; different sounds that fit together perfectly. Having synth and brass instruments come in as well adds to the multi-faceted sound that Tune-yards should be renowned for.
Along with their masterful looping effects, Tune-Yards produces a large variety of sounds. If you think Tune-Yards is a one-trick pony, you could not be more wrong. While I have talked a lot about their chaotic, ambient sounds and use of layering, it is important to disclose that this group is capable of producing more. For example, their song “Hypnotized” has a much more mellow and catchy sound that is reminiscent of pop. It has a catchy chorus and a straightforward structure. Of course, the iconic and unique Tune-Yard sound is still present, but its elements are much simpler. To those who are a fan of mainstream pop: this song is for you.
It would be impossible for me not to simplify the musical elements and vibes radiating from Tune-Yard. I’d love to go on and on about every single song—but I’m sure you will be sick of me walking you through it. As mentioned earlier, sometimes words fail in comparison to experience. Music is not sports; it does not need a play-by-play of each song; it needs a pair of ears willing to expose themselves to new and unique sounds. Tune-Yards' use of looping pedals is a strategy that separates them from a lot of the other bands I have seen before; I hope you are willing to find out more by listening to Tune-Yards, available on all your regular streaming services.